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#21
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From http://nwavguy.blogspot.com/2011/02/...impedance.html:
"...Most headphones work best when the output impedance is less than 1/8th the headphone impedance." The article cited by Skip232 (from the same author/blog) has the iPod Touch 3G at 7 ohms, which he calls "getting high enough to be a concern with some headphones." Using NwAvGuy's "1/8th rule" would put an ideal headphone match at over 56 ohms. He goes on to show that a 21-ohm Ultimate Ears Super.fi 5 Pro's frequency response shifts by up to a "decidedly audible" 3.5 dB with the iPod (I know that 3.5 dB is significant to me). Since many IEMs have impedances of 16-32 ohms, It seems to me that this could be a real concern (at least, with that particular model/generation iPod). Last edited by nathang; 08-18-2012 at 10:18 AM. |
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#22
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Quote:
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#23
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Quote:
Would be an expensive habit ![]() Quote:
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#24
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Quote:
An output impedance that high *might* cause audible problems with multi-armature with crossover IEMs but I wasn't able to hear any with less expensive dynamic driver IEMs. The*might* is because I don't have any IEMs like that and can't say from experience if I hear any problems. I don't know of any multi-armature IEMs like the Ultimate Ears Super.fi 5 Pro that can be found within the originally specified $60 budget. That's why I said Quote:
I'm the first to admit my hearing isn't the "be all-end all" when it comes to identifying audible problems like hiss. I have older ears and hiss is something younger people tend to hear more. However when I use those same headphones with a Sony that definitely has high output impedance they hiss to an objectionable degree. The Sonys hiss so much that I only use them with higher impedance, full size cans. The hiss goes away then. (BTW, I know it was a typo. I was just using that to try to make a funny. )
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#25
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He deducted 20 points for your reply
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#26
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Heh,...you guys made a funny!!!
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#27
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So, then, what is the difference between, for example, a 16-ohm BA and a 16-ohm dynamic driver if they have the same impedance spec.? I keep finding sentences that imply that BAs (especially multi-driver) are more sensitive to output impedance issues (seemingly regardless of their impedance spec), but I can't find any specific information confirming that and/or explaining why that would be.
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#28
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Basically, the damping factor is the ratio of the impedance of the load to the impedance of the source. A high dampening factor means that you have very good control over the driver position (there is little over/under shoot and thus little distortion). But the extent to which this matters depends on how well damped the actual diaphragm is. If there is a lot of mechanical dampening, you may not need as much electrical dampening.
Balanced armatures tend to have relatively little damping built in, so they need a higher dampening factor them other designs. They are also often built of 2 or more drivers in parallel, each of which may have a different impedance then the overall impedance of the device. This further increases electrical demands on the driving circuit. I'm not sure where the rule of 8 comes from for dampening factor, but its just a rule of thumb. Some headphones won't need that high, others may optimally want a bit higher. Testing with RMAA is a great way to check though. If the frequency response is weird, or there is a lot of THD, its probably safe to assume a higher dampening factor would help.
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#29
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Okay. Thanks for that info.
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#30
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Pioneer se-cl07. They sound good at a low price & do not favor 1 frequency over the other.
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#31
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Quote:
The Klipsch s4 av399 says the recipient has now are bass heavy headphones. Not basshead but definitely tipped towards the bass range. Someone who prefers that that type sound sig would probably have a hard time with a headphone that doesn't deliver a solid thump when they want one.
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#32
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S4, S4i the x10i (BA) - I found the entire klipsch range to be bass-heavy.
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